Sculptor Cheen Pitney's 160 prim tribute to Charlie "Yardbird" Parker and "all the great bebop sax players," was created in February of last year.
Cheen had originally hoped to add a particle effect for the saxaphone, but opted for a texture in the end.
Tuesday, February 5, 2008
Cheen Pitney's "Sax Man"
Posted by Bettina Tizzy at 10:13 AM
Labels: art, bebop, Charlie Parker, Cheen Pitney, jazz, sculpture, Second Life
1 comments:
" texture in the end " .... I believe that's called cellulite !
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